Answer any one of the following in about 150 words.

28. Write a detailed factual description of any one type of pankha from the essay ‘Winds of Change.’ Include its state of origin, materials, design, cultural significance, and present status.
How to answer: About 150 words. Choose one pankha (e.g. zardozi, Tal Patar, Phadh) and cover all five aspects listed.
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The Tal Patar Pankha of Bengal The Tal Patar Pankha, literally meaning ‘palm leaf fan,’ is a traditional hand fan originating in Bengal, eastern India. It is one of the most distinctive and delicate varieties of the Indian pankha tradition. The fan is made primarily from the palm leaf (tal pata), which is sun-dried and shaped into a rounded fan form. Artisans also use the milky-white, spongy centre of the sola water grass to create an even more refined version. The natural white colour of the sola gives these fans an elegant, understated beauty that contrasts with the more ornate fans of Rajasthan or Gujarat. Culturally, the Tal Patar Pankha holds a special place in Bengali domestic life. It is ‘perpetually kept as an article of possession’ in Bengali households, meaning it is not an occasional or ceremonial item but a permanent, cherished part of the home. Unlike other regional fans that have transitioned to purely decorative roles, the Bengali pankha retains its connection to daily life. In the present day, however, even the Tal Patar Pankha faces the challenge of modernity as air conditioning and electric fans reduce the functional need for hand fans in urban Bengal.

Tal Patar Pankha: Bengal ka fan. Material: palm leaf + sola (milky-white). Cultural significance: har Bengali ghar mein hamesha milta hai . Present status: technology se challenge.

29. Retell the story ‘The Last Leaf’ by O. Henry in your own words. Highlight the significance of Behrman’s action and what it reveals about his character.
How to answer: About 150 words. Cover: setting, Johnsy’s illness, Behrman’s response, the outcome, and your analysis of his character.
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The Last Leaf — Retold In the old artistic district of Greenwich Village, New York, two young painters named Sue and Johnsy share a studio. In November, Johnsy falls gravely ill with pneumonia. As she lies in bed, she watches an ivy vine outside the window and begins counting the falling leaves. She convinces herself that when the last leaf falls, she will die. Sue tells their elderly neighbour Behrman — a gruff, failed painter who has spoken of his masterpiece for twenty-five years — about Johnsy’s dangerous belief. That night, in a cold, stormy rain, Behrman goes outside with his paints and secretly paints a single, perfect ivy leaf on the wall. The next morning, Johnsy sees it still clinging. Then the following morning, it is still there. Inspired by its persistence, Johnsy decides to fight for her life and begins to recover. Days later, Sue tells Johnsy the truth: the leaf was painted. Behrman had contracted pneumonia painting it in the rain and had died. Behrman’s act reveals a character of extraordinary selflessness and quiet greatness. Despite years of failure, he found his true masterpiece not in a gallery but on a rain-soaked wall, painted in the dark, for someone who would never know his name until it was too late.

Retell: Sue + Johnsy (studio) + pneumonia + Johnsy ne last leaf se death link ki + Behrman ne secretly leaf paint ki + Johnsy theek hui + Behrman mar gaya + Sue ne truth bataya. Character = selfless, true artist .

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