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Aim for about 80–100 words. Organise the answer around a clear idea, use evidence from the story, and end with a concluding line.
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Tenali Rama is a quick-witted, planning, clever-yet-polite, patient and sharp-eyed adviser. He listens carefully to the queen before acting, and knows that correcting the king straight up would hurt his pride. So he builds the paddy-seed plan and patiently moves the talk from seeds to the sower to yawning. He catches the king’s yawn right away and uses the moment perfectly. Even when mocked, he stays cool. Best of all, he fixes the fight without embarrassing anyone. His wit is really smart thinking mixed with tact and understanding.
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Krishnadeva Raya starts off as a wise, powerful and cultured king, yet his reaction to the queen’s yawn shows how pride can twist your judgement . Because he’s so proud of his poetry, he reads a simple yawn as disrespect and stops talking to the queen for weeks. Rama’s clever demo makes him see that yawning can’t be controlled. The king then admits, “I let my pride blind me,” and says sorry. His mistake shows the danger of pride, but his willingness to see it and fix it shows real maturity and wisdom.
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Queen Thirumalambal is sincere, patient, peace-loving and forgiving . Her yawn is no insult — she’s just worn out. When the king stops talking to her, she tries to sort out the misunderstanding instead of getting equally angry. When her tries fail, she smartly goes to Tenali Rama for help. In the end she accepts the king’s apology without embarrassing him and lets the fight go. Asking to hear his poem again shows she values making up more than being right. She brings a big, generous heart to the story’s ending.
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The story ties three big ideas together. Wit shows up in Rama’s indirect seed plan that makes the king find the truth himself. Pride starts the fight, because the king reads the queen’s yawn as an insult to his poetry. And forgiveness wraps it up when the queen accepts his apology and moves on. They’re linked: wit exposes the mess pride made, but the bond is repaired only through humbleness and forgiveness. So brains alone aren’t enough — they have to lead to understanding.
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The palace’s mood mirrors the couple’s relationship. During the fight, the king stops talking to the queen and his silence casts a shadow over the palace . The once-happy corridors go quiet and gloomy. That outside gloom matches the distance between them. After Rama’s plan works, the king apologises and the queen forgives him. Their bond is back, and the palace fills with joy and laughter again. So the setting acts like an emotional mirror, showing how a private fight touches the whole world around them.
